Moslem Feast of the Sacrifice - ορισμός. Τι είναι το Moslem Feast of the Sacrifice
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Τι (ποιος) είναι Moslem Feast of the Sacrifice - ορισμός

PAINTING BY GIOVANNI BELLINI AND TITIAN
Feast of the Gods (Bellini); The Feast of the Gods (Titian); Feast of Gods; The Feast of the Gods (Bellini)
  • Priapus and Lotis

The Feast of the Gods         
The Feast of the Gods (Italian: Il festino degli dei) is an oil painting by the Italian Renaissance master Giovanni Bellini, with substantial additions in stages to the left and center landscape by Dosso Dossi and Titian. It is one of the few mythological pictures by the Venetian artist.
The Sacrifice (2005 film)         
2005 FILM
The Sacrifice (2005)
The Sacrifice is an independent film by James Fessenden that was first shown at Gaylaxicon in 2005. It is a horror/psychological thriller that centers on a high school boy who becomes embroiled in an occult mystery in a quiet New Hampshire town.
The Sacrifice of Isaac (Rembrandt)         
PAINTING BY REMBRANDT
The Sacrifice of Isaac (Studio of Rembrandt)
The Sacrifice of Isaac is a 1635 autograph oil on canvas work by Rembrandt, now in the Hermitage Museum. A studio copy of it dating to 1636 is now in the Alte Pinakothek in Munich.

Βικιπαίδεια

The Feast of the Gods

The Feast of the Gods (Italian: Il festino degli dei) is an oil painting by the Italian Renaissance master Giovanni Bellini, with substantial additions in stages to the left and center landscape by Dosso Dossi and Titian. It is one of the few mythological pictures by the Venetian artist. Completed in 1514, it was his last major work. It is now in the National Gallery of Art in Washington D.C., which calls it "one of the greatest Renaissance paintings in the United States".

The painting is the first major depiction of the subject of the "Feast of the Gods" in Renaissance art, which was to remain in currency until the end of Northern Mannerism over a century later. It has several similarities to another, much less sophisticated, treatment painted by the Florentine artist Bartolomeo di Giovanni in the 1490s, now in the Louvre.